Posted on February 2, 2014
Posted on January 29, 2014
First of all, I’ve had a few comments about the new format and layout of this blog, it seems that people miss the old Gridspace theme because “It looked less like a blog and more like a website”…but that’s what this is – a blog, a dumping-ground for my photographic meanderings and thoughts. I do have a dedicated portfolio website in the pipeline, so if you just want to look at photographs without my ramblings, it’ll be up and running in the next couple of months, I promise. You can also follow me on Facebook
I’m not really publishing much in the way of ‘serious’ portraiture at the moment because I’m saving it all for my exhibition at the end of March this year. It’s a dangerous game though, I have portraits sat in a Lightroom folder, titled EXHIBITION, and I keep looking at them, editing them, tinkering with them…I need to just leave them alone, because I know exactly what’s going to happen – come March 20th I’ll be sick of the sight of those photos. Every last one of them. Another issue I have is that I’m quite single-minded, if I’m not shooting portraits for my show, ‘serious portraits’, then I’m not really shooting anything else, unless it’s completely different. This alternative creative outlet comes in the form of instant film. I love instant film like the french love cheese.
Say what you like, try to convince me with £500 software or 79p iPhone apps – you can not fake the look of instant film. All images here were made using a Fuji Instax 200 wide camera. I’ll shoot some more Impossible Project 600 just as soon as I’ve sold my kidney to pay for the film…
Posted on January 21, 2014
I’m a naturally impatient person, so from the outset I always imagined that digital photography would be my ideal medium, but that hasn’t really been the case. For the last few years digital photography has been an itch that I’ve never quite been able to scratch, there’s always lacked the sense of total satisfaction that I only ever get when I shoot film. At the moment I’m very itchy, and there’s only one thing that can get up the back of my t-shirt with both hands and sharpened finger nails – instant film!
I’ve been shooting Fuji Instax film , on and off, for a few years now, I love the cold blueish tones and creamy highlights, but mention instant film to anyone and the first thing they’ll think of is Polaroid, almost a generic name for any kind of instant film. Polaroid stopped making film a few years back, but the factory was taken-over by a company called The Impossible Project. I never tried any of IP’s early emulations of Polaroid film, I’d read all kinds of horror stories about it, about how difficult it was to use and its instability, so I was never willing to part with my cash…but IP’s latest incarnation of Polaroid 600 color film is different, and I love it.
To be honest, I wasn’t really one of those die-hard fans of the original Polaroid film, I always found it a bit dark and ‘wishy-washy’, maybe it was just poor technique? IP’s version is everything I wanted Polaroid 600 to be – punchy colours and weird hues, sharp, but not too sharp. Development time is between 30 and 60 minutes, so still not actually ‘instant’, but worth the wait!
The one down side is the price – every time I press the shutter it costs me £2.25…but I want to keep pressing the shutter.
All square images were made using a Polaroid 600AF camera (circa 1999) and The Impossible Project Color 600 instant film. All rectangular images were made using a Fuji Instax 210 camera and Instax Wide film.
Posted on December 22, 2013
When I get a new camera, no matter how complicated it looks, I never read the instruction manual. Ever. If I did read them, then I would have discovered, months ago, that my Fuji X-Pro1 has a double exposure feature. I stumbled upon a few days ago, purely by accident, whilst looking for something completely different. So I’ve been playing with it.
All images were processed using the amazing VSCO film software.
Posted on December 17, 2013
Posted on December 3, 2013
I’ve photographed a lot of people over the last few years, hundreds of people, possibly thousands. Of all these people, there is a handful that I keep going back to make portraits of time and time again, Bonzo Slater (above) is one of those people. I must have photographed Bonzo at least 15 times, in various locations around the Isle of Man, most of the locations being within spitting distance of a pub…
A new subject for me is Graham Brunström. Graham is currently waiting for a kidney transplant and is pictured here connected to his dialysis machine in his bedroom. Graham was actually due to have a transplant early next year, but there’s been a set-back with the donor, so this probably won’t go ahead. Graham pointed-out that there is only a limited time that he can receive dialysis and that “the clock is ticking”. Despite all of this, Graham remains very positive.
Above is musician, Chris Gray, another repeat and habitual subject. I took Chris out into the hills and photographed him using just the headlights from my van. I wanted a kind of grungy, snapshot look to the image. It appears to have worked.
Posted on November 22, 2013
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Posted on November 16, 2013
This week I photographed JC Callister for my upcoming project that will document estranged fathers. I used JC as a bit of an experiment to decide what camera format I’d be shooting the series on, these are the results. I’m very single-minded when it comes to shooting a project, once I’ve started I have to stick to the same camera, the same lens, and where possible, the same film.
The shots here were made using (top to bottom) Fuji X-Pro1/35mm, Pentax 67/90mm/Kodak Portra 400 film and Canon G15 digital compact. I converted the digital images to mono using VSCO software. I like all three formats, but at the moment I’m leaning more toward the last shoot, which I think best conveys the mood of this project…but I love shooting on film too.
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Posted on November 10, 2013
Posted on November 1, 2013
Ric - Olympus OM1/Kodak Tri-X 400 double exposure
Ric – Fuji Xpro1 and VSCO film
Matt - Fuji Xpro1 and VSCO film
Matt – Fuji Xpro1, VSCO and Photo Shop (fake advert for his birthday)
Jess - Fuji Xpro1 and VSCO film